Band Meme
Via The Shrine and Zadok
1. Band Name: Random Wikipeda Link
2. Album Title: Random quote generator (take the last four words from the first quote
on the page)
3. Album Art: Flickr Interesting Photo (pick one)
Like Zadok, I chose to do two. My skill in adding text to photos is very limited, so it's the same format both times, and I couldn't get them to be the right shape.
I think that "Prisoner of Love" write very sweet, sentimental ballads and no one is quite sure whether they are sincere or ironic. "1824 in Australia" must be a folk group; their new album has a "work" theme. They gave in to the cliché of including the important but overdone song "No Irish Need Apply" (it's track 6).
23 November 2008
17 November 2008
02 November 2008
First Effort
I bought my husband a calligraphy set as an early anniversary present (the anniversary isn't for two weeks yet), so naturally the first thing I did was steal it back and experiment with it.
I had a little experience with calligraphy in eighth-grade art class, plus experiments on my own in the past with felt-tip calligraphy pens and fountain pens, but this was my first time using a proper pen that I actually had to dip into the ink. I am rather proud of myself that there are no splotches. I chose to copy the chant Resurrexi (introit for Easter Sunday) from St. Gall manuscript 339 (the whole manuscript is online, so it was easy to get). It is a famous 10th-11th century codex, and was the first manuscript published in facsimile in the Paléographie musicale.
The initial letter is traced, and the rest is free-hand. I only had black ink, so everything in red was done with an ordinary red pen--the same one I use to correct undergrad exams, in fact. The set that I bought seems to have been intended for rather large lettering, and the only tip small enough for the neumes was one of the pointy ones, rather than one with a flat end, so the neumes don't have the nice variable thickness as in the original manuscript. Also, I couldn't see the lines of the paper that I had under the vellum well enough, so my lettering is very crooked and not nice and even like the original scribe's. I will probably get better at that if I practice, though. Here are my effort and the original (click to see them larger):
I bought my husband a calligraphy set as an early anniversary present (the anniversary isn't for two weeks yet), so naturally the first thing I did was steal it back and experiment with it.
I had a little experience with calligraphy in eighth-grade art class, plus experiments on my own in the past with felt-tip calligraphy pens and fountain pens, but this was my first time using a proper pen that I actually had to dip into the ink. I am rather proud of myself that there are no splotches. I chose to copy the chant Resurrexi (introit for Easter Sunday) from St. Gall manuscript 339 (the whole manuscript is online, so it was easy to get). It is a famous 10th-11th century codex, and was the first manuscript published in facsimile in the Paléographie musicale.
The initial letter is traced, and the rest is free-hand. I only had black ink, so everything in red was done with an ordinary red pen--the same one I use to correct undergrad exams, in fact. The set that I bought seems to have been intended for rather large lettering, and the only tip small enough for the neumes was one of the pointy ones, rather than one with a flat end, so the neumes don't have the nice variable thickness as in the original manuscript. Also, I couldn't see the lines of the paper that I had under the vellum well enough, so my lettering is very crooked and not nice and even like the original scribe's. I will probably get better at that if I practice, though. Here are my effort and the original (click to see them larger):
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